Showing posts with label Los Angeles Public Library. Show all posts
Showing posts with label Los Angeles Public Library. Show all posts

Friday, March 21, 2025

A Bevy of Gladyses at the Los Angeles Public Library

Gladys Caldwell, Gladys Case, Gladys English

The first half of the 20th century saw a lot of women named Gladys seeking employment with the Los Angeles Public Library. While there were many Gladyses who attended the Los Angeles Public Library Training School during this time, I'm only highlighting the Gladyses who worked at LAPL. Three of these Gladyses had a big impact on the Los Angeles Public Library-- in alphabetical order they were Gladys Caldwell, Gladys Case, and Gladys English. [The women are pictured here, left to right, during their years at the Los Angeles Public Library.]


Gladys Caldwell (September 29, 1884- January 19, 1979)

"Miss Gladys Caldwell examining a consignment of music books which arrived at the public library yesterday. They were the first purchase out of the $1400 fund raised by a concert given by the Philharmonic Orchestra. It is planned to have one of the best musical libraries in the country in Los Angeles just as soon as it is possible to do so." Daily News, November 10, 1923.  

In 1922, Gladys Caldwell (1919 graduate of the Los Angeles Public Library Training School) was hired as the head of the Art and Music Department. During her first year a benefit concert was put on at the Philharmonic Auditorium with proceeds going to boost the library's music collection. Caldwell told the Los Angeles Evening Post Record that the library "has a splendid working collection of scores and record books, but it is in great need of circulating copies." (Today the Los Angeles Public Library has the Orchestral Scores Collection, containing 2000+ scores that can be lent to orchestras in Southern California.) Art was also on display at the library, some even on loan from Earl Stendahl's gallery or private collectors. [The Art and Music Department was started in 1914 on the ninth floor of the Metropolitan Building. One feature was a soundproof room with a piano for patrons to try out the sheet music collection. It was also used as a study room.]

The Art Department in the Metropolitan Building location was on the ninth floor. The "Study Club Room" was also the Music Room and featured a piano for patron's to use. The building layout is from the May/June 1914 issue of Library Books Monthly Bulletin of the Los Angeles Public Library available through the California Index on Tessa.

View of the Library's Music Room located in the Metropolitan Building. It shows a Price & Teeple pedal piano angled diagonally toward a corner of the room. Numerous shelving units which look similar to card catalog drawers, house music instruction books along both walls. This was the library's 5th home, from 1914-1926. Photograph dated: June 16, 1926. Graham Photo Co./Los Angeles Public Library Legacy Collection (via Tessa)

In July 1925, Gladys Caldwell (or G.C. as she was known to staff apparently) was part of the Los Angeles Public Library staff attending the American Library Association conference in Seattle. (Gladys Case was also there, representing the library's children's department). Caldwell gave an address at the conference on how her department worked with motion picture studios. It was so well received that the National Association of Motion Picture Producers and Distributors (today known as MPAA) asked ALA to reprint it in booklet form, as an aid to their studio research departments. Caldwell was also chairperson of the ALA Motion Picture and Visual Aid Round Table.

 The booklet, The Public Library and the Moving Picture Studio, can be found here on Hathitrust

(1926) Interior view of the Music Department at Los Angeles Central Library. Shelving units are visible along the perimeter of the department as well as card catalog drawers for music scores. Several wooden tables and chairs sit empty, except for the two women sitting toward the right of the room. A librarian stands behind the reference desk toward the right of the room, and appears to be helping another patron. The large windows let in plenty of sunshine, making this room soft and warm. Notice the beautiful hanging lamps between the painted beams on the ceiling. Mott Studios/Los Angeles Public Library Institutional Collection. (via Tessa)
After moving to the new building (the current Central Library) the Art & Music Dept held more concerts and music lectures, and a new soundproof piano room proved popular. [One apocryphal 1928 story from Lee Shippey was that one of the "hermits" (Peter perhaps?) enjoyed using the piano room. One day he told Caldwell that he wanted to attend a Hollywood Bowl concert, and she was able to make it happen. He was so appreciative he brought her cushions he'd purloined from the Bowl as a present for her.] Over the years Caldwell was active in many cultural and professional organizations including the California Federation of Music Clubs and the Art Reference Round Table of the American Library Association.

As chairperson of the survey committee of Pro-Musica's Los Angeles chapter, Caldwell and her staff compiled a list of compositions of major music programs in Los Angeles since 1923. The intention of the survey was to help with future music programming, the ability to study programs already given, and to help discover neglected composers or schools. The results indicated Wagner was very, very popular in Los Angeles from 1923-1927.

As a young pianist, Caldwell studied with Elizabeth Sprague Coolidge. They remained friendly and Caldwell was able to attend a series of free concerts Coolidge funded across Europe in 1931. Caldwell wrote about the trip, including stops in Moscow, Budapest, Frankfurt, Paris, Asolo, Rome, and Naples, for the Los Angeles Times. Sprague also financed concerts at the library and a collaboration between the library and the Greek Theater, which was attended by as many as 4000 people.

For years, Caldwell had asked to update the library with equipment and materials that would bring it up to speed with the ability to listen to phonographs. (Note: the Pomona Public Library had a popular program playing records for the public since 1920.) In 1938 it was noted in the Los Angeles Daily News that a woman named Alice Bluett donated money to the library for a phonograph and approximately 400 "carefully and liberally chosen" records. Another collection of records was donated by Mabel Brousseau in the name of her sister Kate. Combined, the collection made Los Angeles Public Library one of the best "listening libraries" in the country. A local music company, Birkel-Richardson, helped the library fine tune the operation through their expertise on amplification. This allowed the library to expand their musical programming with recorded music alongside lectures and live concerts. The crowds for the noon-day record listening events often overflowed out onto the patio and into the library's garden. Soon the Los Angeles Times and Carnegie Corporation also donated records to the collection. Sadly, these record listening events became intermittent in 1943 due to lack of staff.

Gladys Caldwell promoting the popular record listening events at Central Library. Daily News, January 1, 1941

[Interesting tidbit-- In 1939, Caldwell was asked to join a City Council sponsored committee to work on picking an official song for the city. One councilmember warned against picking swing music. He said the song should be dignified and have pep "but no jitterbug stuff." Another committee member (an Assemblyman who was also a musician) vetoed "futuristic music, which ordinary mortals can't understand." I haven't found what became of the committee or a song chosen by them.]

Miss Caldwell represented the library all over town, including club meetings, local concerts, music salons, and Hollywood Bowl events. She retired in 1948 and passed away at the age of 94 in 1979. Gladys Caldwell is buried at the Santa Barbara Cemetery.

Gladys Blake Spear Case Miller (May 21, 1889 - April 24, 1980)

Engagement photo of Gladys Blake Spear, St. Louis Post Dispatch, April 27, 1913

St. Louis native Gladys Blake Spear, daughter of the St. Louis Edible Nut Company president George B. Spear, attended the Carnegie Library of Pittsburgh Training School for Children's Librarians from 1910-11 before accepting a children's librarian position at the Barr Branch of the St. Louis Public Library. She married Rufus William Case in 1913 which, according to the local papers, made her the fourteenth assistant librarian to get married and resign from the library. She soon returned to the St. Louis Public Library and became the assistant to the supervisor of the Children's Department from 1915-1917. Sadly her husband was a victim of the 1918 flu epidemic, dying of pneumonia at the age of 32. She resigned from the St. Louis Public Library in December 1918. At the time she was working in the Traveling Libraries Department (aka Bookmobile).

Although the librarian is not named, I'm fairly certain that this is Gladys Case sitting at a desk at the Barr Branch of the St. Louis Public Library in 1912, St. Louis Public Library Archives

Gladys Case joined the Los Angeles Public Library as a children's librarian in 1919 and a year later became head of the Juvenile Department under Jasmine Britton, the head of the Department of Work with Children. Case taught courses pertaining to working with children at the Los Angeles Public Library Training School (and later at USC). She was also put in charge of storytelling at the 1920 annual Hans Christian Andersen Festival in Elysian Park. The library sent thirty-five "crackajack story-tellers" to the festival. Each was seated under a numbered tree and each told a different story. Children were invited to choose the type of tale they wanted to hear (pirate story, fairy tale, folk tale, soldier story, etc) and go to the appropriate tree/storyteller.

Case spoke to groups about children's literature and National Book Week was celebrated at the library every year. In 1921, she noted that the number of motion picture producers using the children's room had increased. They were looking for children's books to adapt to films specifically for that audience. (Similarly to Gladys Caldwell, Mrs. Case was dedicated to the idea of creating motion pictures specifically for children and spoke on the topic for years, even after she was no longer leading the Department of Work with Children.) When Britton's successor as head of the Department of Work with Children resigned in 1922, Case was promoted to that position. (News Notes of California Libraries said Case gave "capable, wide awake service.") In addition to storytimes, book weeks, and Hans Christian Andersen festivals the library participated in Boys Week. For one week a year boys would go to various locations throughout the week -- factories, banks, stadiums, courtrooms etc-- and learn what grown up life was like for the people who worked there. For the 1925 Boys Week, Gladys Case expected 40,000 boys to visit the libraries across the city and planned to survey the genre preferences of junior high boys, and ask high schoolers to outline standards for contemporary magazine editing. In the evening the libraries offered the boys "musical, literary, and dramatic programs." 

Gladys Case at her desk, Los Angeles Evening Record, June 30, 1925

In 1926, Gladys Case, with the help of LAPL children's librarians, published the pamphlet Public Library Service to Elementary Schools, which described the collaboration between the public and school library. Jasmine Britton, Case's former boss, was in charge of the Los Angeles school system's libraries at the time and their collaboration worked well. The pamphlet offered lesson outlines and the wish that every student in second grade (and up) would visit the public library with their teacher and receive instruction on using the library. These "appreciation hours" should include the introduction of a topic (e.g. what you might see at the beach), a short story, and then set the kids loose in the library to read whatever they want for the rest of the hour. This illustrates to them the joy of reading for pleasure. The librarian is also called upon to visit the children in their classroom and to be familiar with their curriculum. "Cooperation between teacher and librarian makes possible the development of the highest sense of appreciation of reading-- that which translates dreams into action, and sets one's face in the direction of the high road."
Public Library Service to Elementary School pamphlet (1926), including opening quote by Gladys Case (via Hathitrust)


Gladys Case was in charge of the Department of Work with Children during the exciting opening of the new Central Library in 1926. Case and the head of the Children's Department, Rosemary Livsey, planned a spectacular opening of the Ivanhoe Room complete with a pied piper. The Ivanhoe Room featured ten scenes from Sir Walter Scott's Ivanhoe that were painted by Julian Garnsey and A.W. Parsons. More about the room, which now part of the International Languages Department, can be found here.
Frontispiece of Public Library Service to Elementary School pamphlet featuring photo of new Ivanhoe Room

The wedding scene from Ivanhoe, featured in the Hand Book of the Central Building Los Angeles Public Library (1926) via Hathitrust

Case resigned in December 1926 to marry Dr. Glen G. Miller (dentist). According to the 1940 census she was working as a secretary at a religious reading room. Dr. Miller passed away in 1946 and Gladys Blake Spear Case Miller returned to the Los Angeles Public Library where she was in charge of the information desk in the library's rotunda. It's unclear how long she remained at the Los Angeles Public Library. She passed away in 1979 at the age of 90.

Gladys Ann English (January 14, 1886-December 5, 1956)

Gladys English, faculty photo from 1925 Piedmont (CA) High School yearbook

Gladys English became the head of the Work with Children Department in August 1930. By then she'd had a full gamut of the range of librarianship. She was an assistant at the Oakland Library in 1915-1916 and graduated from the Western Reserve University School of Library Science in Cleveland in 1917. She was assistant children's librarian at East Cleveland Library in 1917-1918. English then moved to the Fresno Public Library where she was head of the School Department from 1918-1921. From there she was a junior assistant at Berkeley Public Library 1921-1922, head of circulation at Mills College Library 1922-1923, county librarian at Tuolumne County Library 1923-1924, librarian at Piedmont High School Library 1924-1926, librarian with ALA 1926-1927, librarian at Piedmont High School Library again 1927-1930. And then on to the Los Angeles Public Library.

Los Angeles Times, November 8, 1942

Her job as Principal Librarian of Work with Children meant that she supervised 48 children's librarians. During her first year in the position they completed a survey of 142 public schools served by branch libraries. Jasmine Britton, formerly with the Los Angeles Public Library, was in charge of all Los Angeles school libraries so there was close collaboration between the library and schools. Miss English spoke frequently in front of groups all over the city (and even county) about the best books for children, and at library sponsored book fairs with authors present. Branch libraries hosted open houses inviting parents to peruse displays of children's books, and National Book Week was always met with special programs. On more than one occasion, children from the city's schools dressed up as literary characters, often introduced by Miss English. She championed children's books by California writers including Monica Shannon (formerly with LAPL) and W.W. Robinson (who wrote children's books with his wife). She also participated in committee work including as a member of the Newbery award committee.


The Depression hampered children using the library in several ways including the reticence of parents to incur fines (in some cases the library allowed kids to work off their fines), a reduction of the book budget, and the closing of library branches on Saturday afternoon as a cost-cutting measure. In 1933-34, English became the chairperson of the California Library Association's Work with Children committee and in 1938 was elected to a similar position for the American Library Association. In the late 1930s Miss English was performing children's stories on the radio, cutting them off at the exciting parts to entice kids to head to the library to find out how the story progressed. She also wrote book reviews for various newspapers including the Daily News and The Tidings.

Daily News, October 15, 1945

Miss English supervised the Victory Book campaign in Los Angeles. The public was encouraged to donate books that would be sent to servicemen around the world. Folks could drop off their books at Standard Oil stations, Safeway stores, or any city or county library. [Fun tidbit: Althea Warren was in charge of the Victory Book campaign nationwide. For twelve days she had actors and literary folks, including Gypsy Rose Lee, speaking about the Victory Book campaign on the steps of the New York Public Library.] The war had a definite impact on the number of children who visited the library. Apparently children in Los Angeles were instructed by their teachers to go straight home after school.

News Pilot (San Pedro, CA), October 6, 1949

In 1931, Gladys English and Althea Warren rented an apartment together in Palos Verdes and drove to work together each day. Their friend, Martha Boaz, described them as "very different in personality and in their reactions to situations but each needed the opposite qualities of the other: they were devoted and loyal to each other." They later moved to a home Warren bought in Eagle Rock. The women lived together from 1931 until 1947 when Gladys and her sister moved into a small home not far from Althea Warren.

Miss English retired from LAPL in 1950. She then became the librarian at the Immaculate Heart High School Library and taught a course on children's literature at Immaculate Heart College. She worked there until she passed away in December 1956. The Gladys English Memorial Collection was soon established by the California Library Association and exhibits of the art (original illustrations from children's books) toured the state. Althea Warren was instrumental in building the memorial collection, sending hundreds of letters to authors, artists, illustrators, and publishers. The collection is now at the Los Angeles Public Library.

A Few More Gladyses

Gladys Marion Crowe worked as a children's librarian at Central Library as far back as 1914. She received her training at the Los Angeles Public Library Training School in the Fall 1913-Spring 1914 class. Miss Crowe later went on to branch work and for the last 17 years of her life she was the head librarian at the Junipero Serra Branch (formerly known as the Moneta Branch). Sadly, she allegedly died from a tetanus infection caused by a cat scratch in April 1950.

Library staff of Cahuenga Branch Library (1917); shown are: Gladys Glenn, Fannie Dorman, 1st Librarian and Carrie Ziegler. Los Angeles Public Library Institutional Collection

In 1919, Gladys Glenn (a 1916 graduate of the LAPL Training School) and Gladys Case were both added as children's librarians at Central, which must have caused some confusion as Gladys Crowe was working as a children's librarian there as well (she became Miss Case's principal attendant when Case promoted). [Miss Glenn soon bounced over to the Registration and Loan Department, ostensibly to be the only Gladys in the department. She later worked at the Hollywood Branch and at Cahuenga.]. Gladys McKee was a page/messenger clerk at Central as far back as 1916. Gladys Huls was in charge of one of the playground sub-branches in 1919 and by 1921 was a sr. attendant in the sociology department (she later became a dance instructor specializing in tap but also proficient in interpretative dance, ballet, the tango and the carioca apparently).


All in all, the Los Angeles Public Library had a lively bunch of Gladyses over the years!








Friday, August 9, 2024

The Outdoor Reading Rooms of Los Angeles Public Library

A postcard selling the lush surroundings of Pershing Square 
captures the Los Angeles Public Library outdoor library (circa early 1940s)

Outdoor reading rooms were very popular in Los Angeles during the late 1930s-early 1940s. Before the advent of Little Free Libraries, the Los Angeles Public Library had carts of books and magazines in downtown parks for people to borrow from and enjoy the sunshine while catching up on their reading. The October 1938 issue of The American City magazine listed reasons why folks might be more inclined to visit the book cart instead of going into the library to borrow materials. There was the perception amongst the patrons that there were "difficulties to be met in the library routine" including the indoor atmosphere and/or an embarrassment of their own unconventional garb (e.g. they were unable to afford "proper attire").
The park area behind the Central Library in August 1936 (view is from the Engstrom Hotel Apartments)
Photographer: G. Haven Bishop, Southern California Edison Photographs and negatives, Huntington Library

A man borrows a book from the Los Angeles Public Library outdoor library in Pershing Square [n.d]
California Historical Society/University of Southern California Digital Library

An outdoor library (initially a table with books and magazines) was tried (in 1936?) outside the Central Library where folks gathered in the park-like surroundings of the library to chat with others and people-watch but never actually came inside the library. A cart in Pershing Square was the second outdoor library. At the time Pershing Square was planted with semi-tropical trees and attracted not only wild birds but up to 100,000 people a day -- far more than the 2,500 seats available in the park. Due to the success of the outdoor libraries at the Central Library park and Pershing Square, a third outdoor library was started in Lafayette Park near the Felipe de Neve Branch.
Men heed the sign which says, "Los Angeles Public Library Borrow A Book To Read In The Park" in Pershing Square (circa 1937). Photographer: Herman J. Schultheis/Los Angeles Public Library Photo Collection

Each of these outdoor libraries were open from approximately 9am to 4pm year-round and cared for by WPA workers. There were both books and magazines available to check out on the honor system, no need to produce a library card or sign your name. Magazines were far more popular with the outdoor readers. The books were often library discards, duplicates, or books that had been repaired. Due to the success of the outdoor libraries, especially the Pershing Square location, there was talk of adding outdoor libraries at other branch libraries that were near parks but I've yet to find evidence that this occurred.
A man peruses Los Angeles Public Library's outdoor library in Pershing Square (circa 1937)
Los Angeles Daily News Negatives/UCLA Library Digital Collections

Thursday, October 6, 2022

The Library as Silent Film Star

 

Lois Wilson in The Lost Romance (1921) (still photo + detail)


A week after posting about the Cahuenga Library's possible starring role in a silent movie (The Lost Romance, 1921) and the surprise co-star of the film (actress Mayme Kelso, younger sister of Los Angeles City Librarian Tessa Kelso), I found a definite match. And the film was available on Kanopy, free with your library card!


Louis Calhern and Claire Windsor at the circulation desk of the Cahuenga Library in The Blot (1921)


Directed by actress/screenwriter/director Lois Weber, the 1921 silent film The Blot, stars the interior of the Cahuenga branch of the Los Angeles Public Library. The film’s human star, Claire Windsor, works in the library where she is courted by co-star Louis Calhern. Her father is a poorly paid college professor, who is seen teaching at the nearby Los Angeles City College campus (when it was the Southern Branch of the University of California aka UCLA). Although the exteriors of the library were shot elsewhere, the interiors are definitely from the Cahuenga Library.

Lois Weber Productions logo appearing on The Blot (1921)

Ms. Weber was known for filming on location instead of on a set. From 1918 until 1925 Lois Weber's movie studio was located at 4634 Santa Monica Blvd, less than two blocks from the library. Note the similarities between the Lois Weber Productions logo that appears on the credits of The Blot and the Cahuenga Library "light of learning" plaque over the Santa Monica Blvd entrance.....

Cahuenga Library, Santa Monica Blvd entrance doorway (detail). Photo by Tiffney Sanford



Sunday, March 28, 2021

Monica Shannon: Advocate for Libraries, Leprechauns and Luckless Pigwidgeons

You may know Monica Shannon as the author of the 1935 Newbery Award-winning book Dobry, but have you read her fairy tales set in California? They are remarkably descriptive and among the strangest books I’ve read in a long time. We also have her to thank, at least partly, each time we walk through the doors of the Central Library. Women's History Month marks the perfect time to remember Monica Shannon (1889-1965), the library staff member who became a Newbery Award-winning author of whimsical children’s books and, as the person in charge of the early 1920s library bond issue campaigns, played a large role in the construction of Central Library and several branches.

Portrait of Monica Shannon [n.d] Library Journal, January 1, 1930.

Monica Shannon grew up in a household of bibliophiles and storytellers which may have contributed to her choice of librarianship as a profession. She was one of the fourteen graduates from the 1915 class of the Training Class of the Los Angeles Public Library, which prepared attendees for library work. At the time, the library rented three upper floors within the Metropolitan Building at the corner of S. Broadway and W. 5th Street “in the very center of the shopping district.” For the next two years following her graduation, Ms. Shannon worked as an Attendant in the Circulation Department of the library. Something about her, perhaps her work ethic or way with people, propelled her through the ranks. By 1918, according to the library’s annual report, Ms. Shannon was the Attendant-in-Charge of the Science and Industry Department, assisting patrons with reference questions and requests which were often focused on the petroleum industry. She was soon given a new position, one that required excellent organizational and personal skills.

The Metropolitan Building location was quickly being outgrown and City Librarian Everett C. Perry understood the value of sharing the library’s plight with the city. On October 1, 1919 Monica Shannon became responsible for the newly created Department of Publicity. Her first order of business was to educate the public on the benefits of the library and the need for a “suitable central building.” An effort to highlight library departments, locations and services began in earnest in late 1919 within the Los Angeles Public Library Monthly Bulletin, given freely to patrons. Topical articles were written by Ms. Shannon or under her direction. For example, the August 1920 issue centered on the impact of branches and small locations called deposit stations. Meanwhile, another issue chronicled the history of the Los Angeles Public Library from its inception in 1872 until 1920. Thanks to these informative bulletins, Angelenos became better acquainted with the library and its contributions to the city. They more easily understood the importance of having a “Main Library” in a building the library owned that offered a sense of permanence and eliminated rent payments.

Los Angeles Public Library Monthly Bulletin, [March 1921], Google Books.

By 1921, the reasons for the library of Los Angeles to have its own building were many. Los Angeles was one of the fastest growing cities in the United States and, remarkably, the number of library patrons were multiplying quicker than the population. It required an elevator ride, at the Metropolitan Building, to access the library and it wasn’t a particularly large elevator. The library was in a great part of town but it was difficult to get to, the space was crowded and the rent was set to go up by a considerable amount within a few years. Anticipating that it may take quite some time for the approval and construction of a new library, on April 1 the Library Board of Commissioners appealed to the Los Angeles City Council to include a library bond issue on an upcoming ballot. The City Council agreed to place a $2,500,000 bond on the June 7 ballot for a library building and site.

Overcrowding in the library was a problem by 1921. [n.d.] Graham Photo Co./Los Angeles Public Library Institutional Photo Collection
https://tessa.lapl.org/cdm/singleitem/collection/photos/id/96036/rec/8

City Librarian Everett R. Perry, the Board of Library Directors and Monica Shannon (as the Director of Publicity for the Los Angeles Public Library) created a plan for the bond issue drive that was impressive, all the more so when you realize it was just a four week campaign.